Of course, you cannot forget that this reporter version brings across the dark green color in matt, which is similar to Leica's "Safari" editions, making it more inconspicuous than its counterparts, allowing the photographer to go unnoticed when covering reportage or documentary style photography, according to Leica.
All lens distance scales and focal length colours are now in white and grey to give a cleaner, more neutral look. It still features the amazingly sharp Summilux 28mm f/1.7 Asph wide-angle lens and features full manual control, so those coming from the Leica M system need not worry – you can still manually focus the lens if you want to, but you don’t really need too.Īlong with the reporter colorway is the omission of the red dot Leica logo, which you will only ever be see on the Q2 reporter when the camera is powering off. Now the Q2 series features a dedicated Monochrom version and the new Reporter "Green" colorway has been added it to the list of this compact powerhouse hybrid, in the form of the Leica Q2 Reporter.Įssentially, the Q2 Reporter is the same as the original Q2. The Leica Q was one of the best selling in Leica’s illustrious history and this wave of new adopters and upgraders continued with the releases of its successor the Leica Q2. (Image credit: Sebastian Oakley/Digital Camera World) (opens in new tab)
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